idle thought #213
Jan. 15th, 2021 03:42 pmsometimes I'll feel super unmotivated, writing. sometimes i'll feel like my current chapter is trash or that I'm not good enough, as a writer.
and then i'll check my email and find someone's given my chapter a kudos (ao3) or that sunnydale herald continues to rec my stuff (that'll never stop making me smile) or whatever.
and then i'll remember that for however mediocre a current chapter is, or how the depression/anxiety voices try to weigh me down, or it feels like nobody's reading and i'm just sending words into an endless void...i haven't written the supernatural finale. i haven't written captain america as a nazi. i didn't write the devil may cry reboot, and i certainly haven't followed their "stellar pr example". i didn't write the joss whedon avengers movies, or his failed wonder woman script. i definitely am not the grand moff. i'd like to think i write actual character arcs and plot arcs unlike the miraculous writers.
i welcome my whole audience (except if you think other people don't deserve to have rights, get out, and may the door smack you on your way out). i don't make fun of interpretations (okay, i haven't seen any, but even if i disagreed i would just say 'that wasn't intended' or OH NO THAT WASN'T INTENDED LET ME FIX THAT) or tell my audience they're seeing things.
i don't write things so bad that a whole conspiracy coalesces around the utter failure that is that piece of writing. i didn't write an offensive civil rights movement analogue that was meant to be a civil rights movement analogue until people said 'wait?? maybe that's in bad taste???' and then it wasn't a civil rights movement analogue and if you saw that you were crazy. i try to go more complex and not just write off people particularly if they happen to be more villainous-coded, because, you know, subverting expectations with good writing is a good thing. (also my brother who is awesome is slytherin, some of my best friends from college are slytherin and i like snakes, i don't know why you expected me to go anywhere else with that. i'm not declaring the outcasts evil because that's just not cool. also, i'm a hufflepuff so puffing up and fighting for the people i care for is a thing i do.) i didn't turn james t kirk into the pop culture caricature everyone thought he was. (and then he fought it anyway. fight the good fight, buddy.)
maybe i had some writing choices that weren't the best. let's be honest, some of our taste when we were younger is terrible. and sometimes we love terrible things because nothing's perfect and picking through the leavings of terribly written stories or badly mangled stories or a no man's land of isms or good idea poor execution stories that make us weep in frustration for the better show/book/game that we all collectively hallucinated along the way is all we have. but we should also take heart that we made it better. we're not just dreamers, because we see the flaws, and we bring them up not to tear others down but to remind ourselves of the pitfalls, we bring them up because these are conversations worth having, we bring them up because love this stuff and we want to analyze that the writers did so good but they let us down here, and how? why?
anyway, reminding yourself of all the terrible writing decisions that have been made in things you love, and also reminding yourself that you are doing everything you can to avoid writing such things, does wonders for your self-esteem as a writer. also, when you mess up, there's always editing. and like a responsible author you do sit down, go 'wait, i should change this' or, if someone told you, 'wait, they're right', edit it, and there you go. and your interpretation is not wrong, and you should not feel bad for engaging in the text because people go to school to learn to do what you're doing, and you're all important.
edit: i don't want to take out the stuff with harry potter because I don't want to erase history and to some extent want to leave it as a screw you rowling. anybody in any house with any decency would tear down your precious status quo, and yes, your pedestal with it. but to continue with the theme: i didn't write 'slavery is okay with the right owners, maybe' and 'most fat people are evil' and 'being ultrafeminine or having masculine features is also a sign of evil in female characters'. i also didn't turn out to be a massive piece of shit. so this makes me happier about even my worst writing. and yes, there are bits i'm not happy with. several in self-made hero, actually, but even then i don't think i've ever failed as badly as rowling, or whedon, or the grand moff, or astruc, or nick spencer. and as horrible as that is, as a writer that's a comforting thought. i'll reiterate, though--please, when i make a mistake, tell me! i want to improve, unlike these jerks.
Baker Street Irregulars
Mar. 19th, 2020 09:09 pmMain Points:
Sherlock AU
Summary: Like it or not, Sherlock's a hero to some.
This happens to be another not-fully-finished work from 2012. I can't take all the credit for the ideas therein; the work Parallel by brbsoulnomming was a big inspiration (link https://archiveofourown.org/works/205389). I like the idea of the Baker Street Irregulars, I like the idea that John was the one who accidentally formed them this time. It's not a shipping fic (well, not for John and Sherlock, at least), which is odd. Go read the rec instead; it's better. (Moments of this one are cool, but still. Overall the link is better, though it is also R-rated, so only proceed if you want to see such content.) Among other things...this ain't casefic.
Word Count: 2420
Rating: Teen (it's lower rating than the linked work, but still for safety)
( continue to believe )
v Theory of Narrative Casuality (Source: Livejournal)
Ø https://falling-voices.livejournal.com/18100.html
Ø Sherlock
Ø Sherlock/John
Ø Marked as NC-17, though that largely depends on whether you click on all links and/or actually read the relevant fanfic in the fanfic…it’ll make sense, you’ll see.
The formatting blew my mind. The idea of using tumblr or email or chat or BUTTONS (some of which work) to tell a story I found incredible. Even further, most of the blogs ACTUALLY EXIST AND ALSO HELP TELL THE FIC. It’s, like, the evolved form of tumblr rp storytelling (yeah, I lurk, partly because I don’t have time and partly cause I’m intimidated). It’ll take you forever to dig into this and it must have been a lot of work. It’s also meta and meta-meta.
BBC's Sherlock, Standverse (John has a Stand)
Summary: Sherlock has to catalogue the relevation about his flatmate. Set after Human Trigger.
Word Count: 765
Rating: Gen
john doesn't appear in this fic but it's about him so he's tagged.
Demon's Experiment
Jan. 11th, 2017 10:15 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: If he survives, Sherlock will have a Stand too, now.
Word Count: 90
Rating: Gen
The demon’s face grins and spears him with what feels like molten lava. “Who better to use as a guinea pig, dear Sherlock?” Mocking laughter, and Sherlock shivers uncontrollably. Attempting to get up just results in him flopping on the floor.
And then there’s another face, a familiar face, and a comforting voice like the smell of jumpers. “You’re not here,” he rasps.
“Miracles are possible, Sherlock. And on that note, don’t you dare die on me, not now.”
He passes out instead. It seems the safest of the options.
Human Trigger
Jan. 9th, 2017 08:40 am~Dreamer~
Main Points:
BBC's Sherlock, Standverse (John has a Stand)
Summary: Mycroft has to explain John and Stands to Sherlock (and would have preferred if John had done so).
Word Count: 975
Rating: Gen
( Let's go. )
Become Death
Jan. 8th, 2017 11:46 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: John decides to dismantle Moriarty's network. Single-handedly.
Word Count: 530
Rating: Gen, Dark!John (kinda, he's on the side of the angels but right now he's a weapon whose function is to make some people's lives really unpleasant)
Miscalculation
Jan. 7th, 2017 07:45 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: faster to read
Word Count: 95
Rating: Gen
“Sherlock!” John screams, and Sherlock steps and falls, and then something…doesn’t go as planned.
John’s distraught. Good. He’s running, knocked into by the bicyclist as planned. The switch barely happens in time. But it’s quick enough.
And then it happens.
There’s an explosion, blending in with the sound of John’s scream. He carefully doesn’t react. It might be Moriarty’s network, trying to get him to betray any possible sign of life, so he doesn’t move, despite the sound.
But then John doesn’t come over. The running footsteps lead away, not to his body. Why?
John.
Carry On Until
Jan. 5th, 2017 11:58 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: Sherlock is still trying to decipher John.
Word Count: 360
Rating: Gen
“Are you all right?” Sherlock asks, and John shakes his head, transferring his gaze from the window to his friend.
“Sorry?” Whatever had been asked, he hadn’t heard.
Sherlock steeples his fingers, the dissecting gaze like John’s a brand-new puzzle. “You’ve been acting odd ever since Sally called me a freak. Again. You don’t like it when anyone’s rude; a little odd, really, considering I’m likely to be rude myself, but it’s bothering you more than usual. Why?”
John works his jaw. This would be a good time. And yet…not at all.
It’s a restaurant. There are people around. He can’t be sure Moriarty doesn’t have people here. He actually can’t be sure that there aren’t bugs or people around or anything anywhere. And after the pool, he’s fairly certain Moriarty has to be interested in him.
He doesn’t have the energy for this. He’s maintaining Right Where I Belong most of the time, now, because he’s paranoid, now. He doesn’t know how Sherlock hasn’t noticed by now being his usual reckless self hasn’t earned him near enough scrapes or bruises.
And he’s taken too long to answer, because apparently his face has answered for him, since Sherlock keeps up his interrogation. “Ah. You take it personally. Why? The company you keep, or…?”
By now, his face has given away the truth, that it’s more personal than that, and he knows Sherlock deserves to know, is getting restless, can’t wait any longer, and knows also that he wants to tell, being unable to talk about it is tearing him apart, and he’d never thought it’d be this hard.
But he doesn’t want to lose a friend. Despite the fact that he already is, that the secret is tearing them apart. And worse, he doesn’t want to give Moriarty the clue he needs to go find and unlock a Stand.
So he bites his lip. Maybe he can give Sherlock clues. Lead him into the correct answer, hope Moriarty doesn’t get there first. “Remember our conversation about monsters.”
“What kind of evidence could lead a man like you to believe he’s a monster?” Sherlock’s incredulous.
“Obviously, the persuasive kind,” John whispers.
The Definition of Freak
Jan. 4th, 2017 11:54 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: Faster to read.
Word Count: 25
Rating: Gen
Notes: Get ready for the pain train. I tried to keep this 'verse nonangsty but it wasn't in the cards.
John is fairly sure that Sherlock’s a normal human, not a Stand User. As weird as people see his flatmate, Watson is the real freak.
The Incredible Human Puzzle
Dec. 8th, 2016 11:59 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: Sherlock gets a call.
Word Count: 325
Rating: Gen
Sherlock picks up his phone. It’s about time John called. He could hardly shop for more food without his wallet; forgotten in his room; John’s been forgetful lately; John’s worried about something. Moriarty, probably. Something happened during the kidnapping; something he didn’t feel he could tell Sherlock. Why? Because he was worried about how Sherlock would react? Worried that he’d try to take revenge? But no, there was a secret; something John didn’t want Sherlock to know; something that Mycroft knows about John that he doesn’t; how? Obvious, contacts. Not worth his time, not like John. All these signs John is normal, average, and yet—
And yet, he’s sympathetic. Like he understands, how? How would John know? There’s the obvious answer, of course, his sister, homosexual, him having to protect her; doesn’t approve of her drinking, liked the wife, but he’d hardly stand for bullies going after his sister; but it’s not that, it can’t be; Mycroft wouldn’t know if that was it, he could be cruel and pretend he knows something, but that doesn’t explain John; John, who wants to explain, but doesn’t know how, John who thinks he of all people won’t believe—
The phone rings. He picks it up. “Sherlock.”
The singsong voice on the other end is unexpected, unwanted. But then, he’d known Moriarty would survive. “There’s something about John…he’s keeping secrets. I could help you find out.”
“Piss off.” He hangs up before he realizes that was…that was emotional, that was wrong. Moriarty could have John. That could have been a subtle taunt. And he just threw away a lead, though of course Moriarty wouldn’t have let him trace the call. Still, he was Sherlock; he was better; he could have heard a train or some other clue to help him save John—
He frets until John returns, and then unfortunately yells at him. Both of them are being wound tighter and tighter, and it has to have an end.
WITNESS: The Pattern in the Smoke
Mar. 17th, 2016 10:52 pmBBC's Sherlock/The Secret World crossover. TSW knowledge useful but isn't required.
Summary: Sherlock meets John.
Word Count: 480
Rating: Gen
John is secretly made of steel, Sherlock reflects, as he unleashes his healing power before managing to get the cultists to dive back behind cover again. Admittedly, he’s a little hazy, what with the head injury and all.
He also, surprisingly, does not happen to be Templar. Sherlock’s never gotten a faction affiliation wrong. He’d almost fly into a sulk if he wasn’t too busy trying to find what, exactly, shows to what other faction John Watson might happen to belong.
Illuminati, in Sherlock’s experience, tend to be greedy or at least vaguely corporate in nature. (Perhaps he is basing it off a certain Sebastian Wilkes, but he can hardly be blamed for using personally gathered data.) Yet he can’t see anything (blind, unquestioning obedience, a chaotic nature) that would lead John Watson to be Dragon.
In the end, John Watson is a Dragon, and perhaps that is the most chaotic and unexpected of all.
The Secret Societies
Mar. 16th, 2016 09:55 pmBBC's Sherlock/The Secret World crossover. TSW knowledge useful but isn't required.
Summary: Sherlock meets John.
Word Count: 480
Rating: Gen
He reads others. Often, they don’t even care, or regard it as useful, hungry, prying eyes willing to try to poach him from the Templars.
And then he meets John. John of the assault rifle, John of the healing touch.
He’d met him, unassuming, beige jumper. Reads that he was a soldier, Afghanistan or Iraq, but he’s so pleasant, projecting anything but a dangerous air, that he doesn’t realize how dangerous the man could be. Just a simple brushing by in Agartha, as he’s on his way to the Archives, the books that the Council of Venice will still allow him access, that is. He takes in the blond, short, limping man and dismisses him.
It’s not often that Sherlock Holmes makes a mistake. But it does happen.
The next time, it’s a meeting between factions, moderated by the Council. He assumes John is Templar like him, is annoyed that he’s not trusted on his own but understands why. He’s glaring at the Illuminati, all but baring his teeth as they squabble through words that, with enough intent behind them, could probably rip out throats with magic. (After learning the Bee-touched can’t die normally, he’s been tempted more than once just to kill another agent for annoyance, since it won’t stick anyway.) There are others there, but none of them matter.
John clears his throat. Somehow, he’s able to immediately draw all the attention in the room, as well as get their argument to dry up like they’ve suddenly lost the ability to speak. Given the world they live in, it’s not an altogether ludicrous thought.
It’s John that outlines the plan, a different one than either Sherlock or the Illuminati had proposed, and…it’s not actually half bad. The soldier has a gift for strategy. Captain, then. Could have risen further, didn’t want to. Enjoys looking out for a small, family like unit. Replacement for a never-quite functional family, then. Probably the brother, given the evidence of the phone. And always had that unassuming air. People dismiss him, and he uses that as a weapon just like anything else, when needed.
It’s difficult, getting on with the Illuminati. He keeps wanting to point out that Sally is hardly just with the man, but John actually manages to get him to keep his tongue civil, and when explaining how the magical artifact they’re going after works, he keeps saying “Amazing” with wonder in his eyes. It’s almost painful to part at the end, once they’ve deposited the artifact with the Council (it’s the only place they can agree upon).
John is a little bit like the Secret World, actually. Sherlock’s gotten to the point where he understands most of the rules. In the end, though, no matter how banal, commonplace some of it has become (zombies are almost boring, now), it still manages to surprise him enough to keep him not-bored.
No Man's Land
Jan. 31st, 2016 10:23 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: John's been putting off this conversation for far too long.
Word Count: 125
Rating: Gen
“You don’t have to go,” Sherlock states quietly, still staring at papers.
John shrugs, letting the slightest of smiles creep over his face. “You did say that he warned you against me.”
This grabs Sherlock’s attention, even over the distraction of a case. He looks up with bright eyes. “Yes.”
“Well. That means I scare him.” It would be a stress reliever. Besides, with Dr. Kujo and the others, it had been demonstrated exactly how effective having a powerful network as an ally. In the interests of his flatmate’s health, it might be best to call off the ridiculous shadow games the elder Holmes and he had been playing.
Sherlock stares for a second before, well. That might be a giggle. “Off you go, then.”
Not a Monster, but a Man
Jan. 30th, 2016 11:22 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: John has nightmares. This is one of them. Except it's happening. And Sherlock wants to know what's wrong.
Word Count: 905
Rating: Gen
Note: Parts of dialogue taken directly from The Great Game. That might be Jojo "Xander" Joestar in the flashback, but you can read it however you wish.
The Beginning of the End
Jan. 28th, 2016 09:20 pmBBC's Sherlock, Standverse (John has a Stand)
Summary: John has nightmares. This is one of them. Except it's happening.
Word Count: 370
Rating: Gen
Notes: Parts of the dialogue are taken directly from The Great Game.
John sees the destruction and his heart enters his throat. For a minute, maybe, he even blacks out. When he comes to, he’s still sitting and his Stand is trying frantically to get a response from him, assuring him that he’d done nothing, this wasn’t his fault. Sarah’s worried—of course she is, people just don’t black out without reason—but he has to get there, he has to make sure Sherlock’s safe. He has to make sure that he hasn’t… He’s barely aware of walking to his flat, and it’s almost not a surprise to see Mycroft sitting there.
His frantic queries are met by raised eyebrows, but it seems Sherlock has yet to get out of his bored funk. Which is good. That’s good. If he was hurt, Sherlock would, well. Be irritable, but not quite bored anymore.
“A gas explosion. Apparently.”
“Though the police have been known to get things wrong,” Mycroft states deliberately, staring directly at him, and John feels faint. He needs to sit.
The way he sinks down, his limp’s back and he’s in a terrible condition. Even Sherlock must notice by now.
“They haven’t,” he states once to reassure himself, and then again, for Mycroft, “They haven’t.”
“Mycroft, this is ridiculous. As if John would bomb anywhere.” Sherlock is desperate and angry, and John should probably be touched by the defense if he was anywhere near his right mind right now.
John’s beginning to process things again, though, and he knows this is important. He looks back up again to see Mycroft’s stare, and nods once. Fears weren’t reality, after all, and he would’ve noticed his Stand getting out of control.
There’s a long look as the elder Holmes stares him down, and whatever he sees there, it’s enough. “Do think about the offer, Sherlock. Or I’ll perhaps borrow your…blogger.” He stands and walks over to John, holding out his hand for a handshake. It’s anything but friendly. “Goodbye, John. See you very soon.”
Sherlock breaks into an furious and discordant violin…noise, and Mycroft leaves. John tries to calm his racing heart, because he knows there will be questions. He’s anything but his usual self, and Sherlock couldn’t have failed to miss it.
Waiting for This Moment
Jan. 27th, 2016 10:53 pm~Dreamer~ (ironic name, now that I think about it, is ironic)
Main Points:
BBC's Sherlock, Standverse (John has a Stand)
Summary: John has nightmares.
Word Count: 130
Rating: Gen
“John. You were lying in bed with a fever, unable to discern the world around you. There is no logical reason why you could have saved your unit.”
John’s bleary eyes finally focus on Sherlock’s face. It’s good, this. That Citizen/Soldier has decided that his brilliantly impossible flatmate is forever off the hit list, so he doesn’t accidentally summon him and bomb the flat when being awoken. Really, in all honestly, for a Stand User with his sorts of nightmares, there is no other flatmate he could have possibly gotten.
“So you shouldn’t be feeling any guilt now.”
If John isn’t mistaken, that’s actual emotion in the detective’s voice.
“No logical reason, no,” John agrees quietly. Sherlock’s absolutely rubbish at comfort, which is perhaps why it works. “Thank you, Sherlock.”